One of the best known of Carl Barks' 10-pager Walt Disney comic book stories is remembered by all of his fans for its novel storyline and memorable ingredients. If fans come together and just mention the term Hypnotizing the odds are, that they will all think of WDCS145 'The Hypnotizer Gun' from 1952. That is the long-term impact this particular story has had over the years. This is the story.

 

 

 

STORY

  WDCS145 'The Hypnotizer Gun' - 1952

Synopsis:
The nephews are playing with a completely harmless hypnotizer toy gun but Donald Duck thinks it's real. Obviously, he is the only one in the story who has the mental gullibility to submit to the gizmo. This means that Scrooge McDuck and one of his debtors, Rockjaw Bumrisk, can have their way with Donald, until he happens to gain the upper hand...


15 scattered remarks:

The gun is just a toy, which the nephews confirm after Donald heads for Scrooge's office in order to try and hypnotize him into handing over a sack of his money.

The story is carried by a mantra that is repeated constantly and being well remembered by the fans: Bing! You're hypnotized!

Donald is hypnotized into thinking he is a woodpecker, a chicken, a gopher, a gorilla - and a bill collector.

Barks drew a rather puzzling appearance of Scrooge in the first part rendering him full of scratches and band aids without giving any initial explanation. Only later it is revealed - via a lengthy flashback - that he had been out collecting money from a debtor.

Barks includes one of his joyous tomfoolery moments by showing a blackboard behind Scrooge with the interesting calculation: $2 + $2 = $5.

Barks very rarely included the reader into the goings on in the panels, but this story makes an exception; in one panel Scrooge makes direct visual and mind contact with the reader.

The band-aids on Scrooge's head keep moving about from panel to panel. This also happened in WDCS157 'Climbing Old Demontooth'.

Donald suddenly imitates a woodpecker in Scrooge's office ending with him destroying his uncle's desk.

Even after a dunk in a full water barrel followed by a roll in an ash can, Donald emerges both dry and clean.

A truly rare moment: Donald receives a sack of money from miser Scrooge for having taken care of the job.

Donald was not unfamiliar with bill collector jobs; in WDCS074 'The Money Collector' and in WDCS124 'Under New Management' he had the same type of job.

Donald is sometimes very physically powerful for brief moments as in this story in which he imitates a fierce gorilla. Other examples can be found in WDCS107 'The Super Snooper Story', FC1184 Mighty but Miserable, and WDCS292 Instant Hercules.

Donald changed personality in several other stories as well. Examples are seen in WDCS141 'Think Boxes', WDCS278 Have Gun, Will Dance, and U$057 The Swamp of No Return.

Barks liked to invent hilarious and still to-the-point character names. Here is a selection of some of the more dubious personages: Boaregard Swinely, Blacksnake McQuirt, De Sleezy, Foulcrook, I.M. Slick, Pulpheart Clapperhead, Porko de Lardo, Porkman de Lardo, Scarpuss McKnucks, Sharky, Slyrat, Snake McViper, Soapy Slick, Whan Beeg Rhat - and, of course, the character in this story: Rockjaw Bumrisk...

Barks: This is the sort of story that only Donald can portray convincingly. Mickey could never be 'hypnotized' by such a simple gadget and Goofy could be hypnotized too easily. A good example of Donald's versatility as an 'actor'.

 

GALLERY

 

BOOKINGS

Barks' stories were booked by himself and by his employer Western Publishing. Below you are presented to two interesting registrations - a personal and an official.


Barks would always briefly book his artwork in one or more ledgers. In this case you are treated to a small part of his work page from 1952 in his special Story & Art Ledger with the relevant data on this page's story booked along with other material. Barks' work title is Hypno-Gun.
Notice the other presented entries include a rare 8-page Droopy story (TJWC1 'Happy Hound, Foxhound') and a famous 32-pager (DD26 Trick or Treat).


This is the official payslip from Western Publishing. You will notice that there are some differences between Barks' personal entries and Western's professional ones. The most obvious is the discrepancies in the registration dates. This was due to Barks' procedure of booking the actual dates for finishing the jobs, while Western often waited with their official bookings until several stories had accumulated.
In those years Western's artists received advance payments relating to their production; Barks topped with 500 dollars per payment.

 

 


 http://www.cbarks.dk/THETOYGUNSTORY.htm

  Date 2018-04-20